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2003-2004 Season

FALL 2003
In the Solitude of Cotton Fields
By Bernard-Marie Koltés
Translated by Jeffrey Wainwright
Directed by Dexter Bullard

What would happen if you were traveling in a somewhat hurried, somewhat oblivious disposition, over a straight line, strictly Point A to Point B, and as you were making your way, you came face to face with another person, a dealer, who stands between you and your destination? A dealer that you cannot avoid or side step but must confront? A dealer who drives the hardest of bargains? You not even knowing what you could possibly want or what is being offered, also not wanting to offend but not wanting to answer questions too personal to share with strangers. What happens in an empty society where no one knows what is really being bought and sold?

In the Solitude of Cotton Fields distills to its psychological, poetical, and spiritual essence the nature of the most rapidly multiplying and perhaps most intimate relationship in present times, that of DEALER and CLIENT.

About the Playwright: Bernard-Marie Koltés was born in 1948 in the East of France, and died in 1989. Championed as one of his generations' most provocative and progressive playwrights, he was seen as carrying the torch in the tradition of Beckett and Genet (although he most often compared himself to Chekhov, claiming all his plays were comedies as well). Taken under the wing of one of France´s most acclaimed directors, Patrice Chéreau, who nurtured his talent by producing and directing his work at Nanterrés Théatre des Amandiers, his career and life came to a tragic end when he succumbed to AIDS at the age of 41. His final and most well known work, Roberto Zucco, was produced only after his death, but it cemented his reputation as a writer of urgency and purpose.

About the Director: Dexter Bullard´s reputation precedes him as one of Chicago´s most innovative theatrical artists. This will be Dexter´s 4th collaboration with A Red Orchid, including his productions of Tis Pity She´s a Whore, Place of Angels, and Bug. Dexter is on the faculty of DePaul University´s Theatre School and is also the artistic director of Plasticene Physical Theatre Company. He has also taught at Columbia College and the Second City Training Center, and ran the Next Lab for several years, which during his tenure produced Bouncers, Fun & Nobody, Here is Monster, and Killer Joe, among many other distinguished works.

About the cast: While small in number, we could not be happier to have the duo of Lawrence Grimm and Paul Dillon on our boards. Larry is an ensemble member at A.R.O.T., and was most recently seen in our production of the über-dark comedy Mr. Kolpert. Larry directed our premiere of the searing Scottish coal-mining drama The Cut and appeared in our long-running productions Born Guilty and The Caine Mutiny Court-Martial. Mr. Dillon is returning to the Windy city from Los Angeles, but has worked with both Dexter and A.R.O.T previously in Tis Pity She's A Whore. He was part of the ensemble of Famous Door's landmark production of Conquest of the South Pole, and originated the role of Cabbie in their long-running sensation, Hellcab (which he produced and starred-in for the screen). His performance as the title character in the world premiere of Killer Joe at the Next Lab still has people giving him a wide berth.